type-lover:

Grown Apart | Jordan Hu
Follow me on Behance
This poster is the final stage of an unfinished summer project. The intent of this summer project was to view design and fine arts through a different perspective or aspect and bring it back to a poster format. Design has and always will be evident in the world we live in. But the big question is, “what exactly defines design?” What form does “design” take shape of? Is design translated through the form of a poster, a postcard, or maybe even graffiti on the side of the street? For this particular project, I was able to discover design in the form of movement.Over the summer, I choreographed a routine to the song, “Grown Apart” by Lisa Shaw. This is the first time I have ever choreographed anything, so the entire process was somewhat tedious and challenging. Having gone through the process of choreographing, it has made me more aware of texture, dynamic, hierarchy, placement, and scale through body movement. These are all things that I feel are relevant and necessary within graphic design. I wanted to bring this newfound knowledge back into my work by designing a 24” x 36” poster based off the routine. In a way, this project is a personal exploration of discovering design through an unexpected source or form.The photograph of the dancer is inspired by a sharp gesture of the arms that leads to a withdrawal of the chest, implying pain. Based off the lyrics, “Time we will feel the pain.”
dailydesigner:

Apartment A by Say What Studio
dailydesigner:

Apartment A by Say What Studio
dailydesigner:

Apartment A by Say What Studio
dailydesigner:

Apartment A by Say What Studio
dailydesigner:

Apartment A by Say What Studio
dailydesigner:

Apartment A by Say What Studio
dailydesigner:

Apartment A by Say What Studio
dailydesigner:

Apartment A by Say What Studio
dailydesigner:

Apartment A by Say What Studio
type-lover:

Harrods Valentines Dayby Drew Melton
type-lover:

Harrods Valentines Dayby Drew Melton
type-lover:

Harrods Valentines Dayby Drew Melton
thebackmatter:

The New Wine by Anti / anti.as
thebackmatter:

The New Wine by Anti / anti.as
thebackmatter:

The New Wine by Anti / anti.as
thebackmatter:

The New Wine by Anti / anti.as
thebackmatter:

The New Wine by Anti / anti.as
hoploid:

LINK
/// For more VISUAL INSPIRATION in illustration, graphic design, packaging, art and a lot more … just follow HOPLOID ON TUMBLRThank You! ///
hoploid:

LINK
/// For more VISUAL INSPIRATION in illustration, graphic design, packaging, art and a lot more … just follow HOPLOID ON TUMBLRThank You! ///
hoploid:

LINK
/// For more VISUAL INSPIRATION in illustration, graphic design, packaging, art and a lot more … just follow HOPLOID ON TUMBLRThank You! ///
hoploid:

LINK
/// For more VISUAL INSPIRATION in illustration, graphic design, packaging, art and a lot more … just follow HOPLOID ON TUMBLRThank You! ///
hoploid:

LINK
/// For more VISUAL INSPIRATION in illustration, graphic design, packaging, art and a lot more … just follow HOPLOID ON TUMBLRThank You! ///
typostrate:

Type Wayfarer
This Typography Wayfarer glasses are the output of a japanese popup store called Type. Inspired by the two typefaces Garamond and Helvetica, both very different and contrasty, while talking about serif and sans, round and edged, thick and thin. Therefore each line comes in 3 different fontsizes fitting to the height of the legs and the bridge. The small serifs of the Garamond g are connotatively for the edges on the side of the fitting glasses. The same with the Helvetica glasses and the hard end of the h strokes. At least these glasses are not expensive and a cool accessoire for every designer wearing glasses at work. Looking classy and fancy is underlined with Type. 
Typostrate on: Facebook | Pinterest | Instagram | Tumblr
typostrate:

Type Wayfarer
This Typography Wayfarer glasses are the output of a japanese popup store called Type. Inspired by the two typefaces Garamond and Helvetica, both very different and contrasty, while talking about serif and sans, round and edged, thick and thin. Therefore each line comes in 3 different fontsizes fitting to the height of the legs and the bridge. The small serifs of the Garamond g are connotatively for the edges on the side of the fitting glasses. The same with the Helvetica glasses and the hard end of the h strokes. At least these glasses are not expensive and a cool accessoire for every designer wearing glasses at work. Looking classy and fancy is underlined with Type. 
Typostrate on: Facebook | Pinterest | Instagram | Tumblr
typostrate:

Type Wayfarer
This Typography Wayfarer glasses are the output of a japanese popup store called Type. Inspired by the two typefaces Garamond and Helvetica, both very different and contrasty, while talking about serif and sans, round and edged, thick and thin. Therefore each line comes in 3 different fontsizes fitting to the height of the legs and the bridge. The small serifs of the Garamond g are connotatively for the edges on the side of the fitting glasses. The same with the Helvetica glasses and the hard end of the h strokes. At least these glasses are not expensive and a cool accessoire for every designer wearing glasses at work. Looking classy and fancy is underlined with Type. 
Typostrate on: Facebook | Pinterest | Instagram | Tumblr
typostrate:

Type Wayfarer
This Typography Wayfarer glasses are the output of a japanese popup store called Type. Inspired by the two typefaces Garamond and Helvetica, both very different and contrasty, while talking about serif and sans, round and edged, thick and thin. Therefore each line comes in 3 different fontsizes fitting to the height of the legs and the bridge. The small serifs of the Garamond g are connotatively for the edges on the side of the fitting glasses. The same with the Helvetica glasses and the hard end of the h strokes. At least these glasses are not expensive and a cool accessoire for every designer wearing glasses at work. Looking classy and fancy is underlined with Type. 
Typostrate on: Facebook | Pinterest | Instagram | Tumblr
typostrate:

Type Wayfarer
This Typography Wayfarer glasses are the output of a japanese popup store called Type. Inspired by the two typefaces Garamond and Helvetica, both very different and contrasty, while talking about serif and sans, round and edged, thick and thin. Therefore each line comes in 3 different fontsizes fitting to the height of the legs and the bridge. The small serifs of the Garamond g are connotatively for the edges on the side of the fitting glasses. The same with the Helvetica glasses and the hard end of the h strokes. At least these glasses are not expensive and a cool accessoire for every designer wearing glasses at work. Looking classy and fancy is underlined with Type. 
Typostrate on: Facebook | Pinterest | Instagram | Tumblr
typostrate:

Type Wayfarer
This Typography Wayfarer glasses are the output of a japanese popup store called Type. Inspired by the two typefaces Garamond and Helvetica, both very different and contrasty, while talking about serif and sans, round and edged, thick and thin. Therefore each line comes in 3 different fontsizes fitting to the height of the legs and the bridge. The small serifs of the Garamond g are connotatively for the edges on the side of the fitting glasses. The same with the Helvetica glasses and the hard end of the h strokes. At least these glasses are not expensive and a cool accessoire for every designer wearing glasses at work. Looking classy and fancy is underlined with Type. 
Typostrate on: Facebook | Pinterest | Instagram | Tumblr
typostrate:

Type Wayfarer
This Typography Wayfarer glasses are the output of a japanese popup store called Type. Inspired by the two typefaces Garamond and Helvetica, both very different and contrasty, while talking about serif and sans, round and edged, thick and thin. Therefore each line comes in 3 different fontsizes fitting to the height of the legs and the bridge. The small serifs of the Garamond g are connotatively for the edges on the side of the fitting glasses. The same with the Helvetica glasses and the hard end of the h strokes. At least these glasses are not expensive and a cool accessoire for every designer wearing glasses at work. Looking classy and fancy is underlined with Type. 
Typostrate on: Facebook | Pinterest | Instagram | Tumblr
typostrate:

Type Wayfarer
This Typography Wayfarer glasses are the output of a japanese popup store called Type. Inspired by the two typefaces Garamond and Helvetica, both very different and contrasty, while talking about serif and sans, round and edged, thick and thin. Therefore each line comes in 3 different fontsizes fitting to the height of the legs and the bridge. The small serifs of the Garamond g are connotatively for the edges on the side of the fitting glasses. The same with the Helvetica glasses and the hard end of the h strokes. At least these glasses are not expensive and a cool accessoire for every designer wearing glasses at work. Looking classy and fancy is underlined with Type. 
Typostrate on: Facebook | Pinterest | Instagram | Tumblr
typostrate:

Type Wayfarer
This Typography Wayfarer glasses are the output of a japanese popup store called Type. Inspired by the two typefaces Garamond and Helvetica, both very different and contrasty, while talking about serif and sans, round and edged, thick and thin. Therefore each line comes in 3 different fontsizes fitting to the height of the legs and the bridge. The small serifs of the Garamond g are connotatively for the edges on the side of the fitting glasses. The same with the Helvetica glasses and the hard end of the h strokes. At least these glasses are not expensive and a cool accessoire for every designer wearing glasses at work. Looking classy and fancy is underlined with Type. 
Typostrate on: Facebook | Pinterest | Instagram | Tumblr
brandingidentitydesign:

Identity for restaurant Té de Querer designed by YY.
brandingidentitydesign:

Identity for restaurant Té de Querer designed by YY.
brandingidentitydesign:

Identity for restaurant Té de Querer designed by YY.
brandingidentitydesign:

Identity for restaurant Té de Querer designed by YY.
hoploid:

LINK
/// For more VISUAL INSPIRATION in illustration, graphic design, packaging, art and a lot more … just follow HOPLOID ON TUMBLRThank You! ///
hoploid:

LINK
/// For more VISUAL INSPIRATION in illustration, graphic design, packaging, art and a lot more … just follow HOPLOID ON TUMBLRThank You! ///
betype:

TOP 10 FONTS OF THE YEAR
And finally this  are the best 10 fonts released in 2013. Click in the name of every font to see full details. :
Brandon Text  by HVD Fonts.
Nanami Font by Thinkdust.
Canaro by Rene Bieder.
Tide Sans by Kyle Benson.
Niveau Grotesk by HVD Fonts.
Trend by Latinotype.
Core Circus by S-Core.
Wishes Script by Typesenses.
Voyage Font by Fenotype.
Zulia by Sudtipos
You can check the full details in this site dedicated to the 100 fonts of 2013: 2013.betype.co
betype:

TOP 10 FONTS OF THE YEAR
And finally this  are the best 10 fonts released in 2013. Click in the name of every font to see full details. :
Brandon Text  by HVD Fonts.
Nanami Font by Thinkdust.
Canaro by Rene Bieder.
Tide Sans by Kyle Benson.
Niveau Grotesk by HVD Fonts.
Trend by Latinotype.
Core Circus by S-Core.
Wishes Script by Typesenses.
Voyage Font by Fenotype.
Zulia by Sudtipos
You can check the full details in this site dedicated to the 100 fonts of 2013: 2013.betype.co
betype:

TOP 10 FONTS OF THE YEAR
And finally this  are the best 10 fonts released in 2013. Click in the name of every font to see full details. :
Brandon Text  by HVD Fonts.
Nanami Font by Thinkdust.
Canaro by Rene Bieder.
Tide Sans by Kyle Benson.
Niveau Grotesk by HVD Fonts.
Trend by Latinotype.
Core Circus by S-Core.
Wishes Script by Typesenses.
Voyage Font by Fenotype.
Zulia by Sudtipos
You can check the full details in this site dedicated to the 100 fonts of 2013: 2013.betype.co
betype:

TOP 10 FONTS OF THE YEAR
And finally this  are the best 10 fonts released in 2013. Click in the name of every font to see full details. :
Brandon Text  by HVD Fonts.
Nanami Font by Thinkdust.
Canaro by Rene Bieder.
Tide Sans by Kyle Benson.
Niveau Grotesk by HVD Fonts.
Trend by Latinotype.
Core Circus by S-Core.
Wishes Script by Typesenses.
Voyage Font by Fenotype.
Zulia by Sudtipos
You can check the full details in this site dedicated to the 100 fonts of 2013: 2013.betype.co
betype:

TOP 10 FONTS OF THE YEAR
And finally this  are the best 10 fonts released in 2013. Click in the name of every font to see full details. :
Brandon Text  by HVD Fonts.
Nanami Font by Thinkdust.
Canaro by Rene Bieder.
Tide Sans by Kyle Benson.
Niveau Grotesk by HVD Fonts.
Trend by Latinotype.
Core Circus by S-Core.
Wishes Script by Typesenses.
Voyage Font by Fenotype.
Zulia by Sudtipos
You can check the full details in this site dedicated to the 100 fonts of 2013: 2013.betype.co
betype:

TOP 10 FONTS OF THE YEAR
And finally this  are the best 10 fonts released in 2013. Click in the name of every font to see full details. :
Brandon Text  by HVD Fonts.
Nanami Font by Thinkdust.
Canaro by Rene Bieder.
Tide Sans by Kyle Benson.
Niveau Grotesk by HVD Fonts.
Trend by Latinotype.
Core Circus by S-Core.
Wishes Script by Typesenses.
Voyage Font by Fenotype.
Zulia by Sudtipos
You can check the full details in this site dedicated to the 100 fonts of 2013: 2013.betype.co
type-lover:

Shanghai Po Po 336Ken Lo 
type-lover:

Shanghai Po Po 336Ken Lo 
type-lover:

Shanghai Po Po 336Ken Lo