lesfressange89:

                                          My Heart Be Still For Paris
gurafiku:

Japanese Theater Poster: Naniwa Butterfly. Tokyo Pistol. 2012
gurafiku:

Japanese Poster: Sakurahime Azuma Bunsho. Koichi Sato. 1976
gurafiku:

2013 Gurafiku Review: Most Popular on Gurafiku in February, 2013.
Japanese Poster: The Spider’s Thread. Yutaka Sato. 2012
gurafiku:

2013 Gurafiku Review: Standout Japanese design created in 2013.
Japanese Theater Poster: Shape and Violence Parade Me. Chikako Oguma / Miyuki Kawamura. 2013
gurafiku:

Japanese Poster: Triennale School. Hidekazu Hirai / Peace Graphics. 2013
gurafiku:

Japanese Illustration: Washitsu. Tadahiro Uesugi. 2003
anothertheletter:

thrilled to have finally added the stamps that match my favorite thrifted enamel pin to my stash!
spacecad3t:

Photography by Margarita Kareva
spacecad3t:

Photography by Margarita Kareva
spacecad3t:

Photography by Margarita Kareva
spacecad3t:

Photography by Margarita Kareva
spacecad3t:

Photography by Margarita Kareva
spacecad3t:

Photography by Margarita Kareva
spacecad3t:

Photography by Margarita Kareva
spacecad3t:

Photography by Margarita Kareva
spacecad3t:

Photography by Margarita Kareva
spacecad3t:

Photography by Margarita Kareva
sutimuti:

radomanci:


     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

Bernini-porn

Bernini kötre <3
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radomanci:


     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

Bernini-porn

Bernini kötre <3
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radomanci:


     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

Bernini-porn

Bernini kötre <3
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radomanci:


     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

Bernini-porn

Bernini kötre <3
sutimuti:

radomanci:


     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

Bernini-porn

Bernini kötre <3
sutimuti:

radomanci:


     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

Bernini-porn

Bernini kötre <3
sutimuti:

radomanci:


     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

Bernini-porn

Bernini kötre <3
sutimuti:

radomanci:


     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.        -   Simon Schama’s Power of Art. Bernini

Bernini-porn

Bernini kötre <3